By Zack Bowen
James Joyce used track and musical allusion in ways in which no different author has attempted. Ulysses on my own includes greater than 800 track references, many as established upon song as lyrics. In those retrospective essays, Zack Bowen, the prime professional on Joyce and song, describes this bond among song and Joyce's fiction, explaining how musical allusions tell either person passages and the topic or constitution of whole works.
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Additional resources for Bloom's Old Sweet Song: Essays on Joyce and Music (Florida James Joyce)
I'm off, said Boylan with impatience. He slid his chalice brisk away, grasped his change. 810) While "Goodbye, Sweetheart, Goodbye" is the predominant theme for the Boylan segment, several minor melodies play a contrapuntal back < previous page page_33 If you like this book, buy it! next page > < previous page page_34 next page > Page 34 ground. 39). The reference is to the stately chorus in Handel's Judas Maccabaeus. The music furnishes a properly majestic tone for conqueror Boylan to make his entrance: See, the conqu'ring hero comes, Sound the trumpets, beat the drums: Sports prepare, the laurels bring.
As he turned Molly's pages that night, he could smell her perfume, the lilac-scented bathwater that Martha asked about. ") As Bloom remembers Molly's bosom, Lionel's words ("When first I saw") blend in with his own thoughts. ("Bosom I saw, both full, throat warbling. ") Bloom wonders why she thanked him for turning the pages and decides it must be fate. ("She thanked me. Why did she me? ") Bloom's associative pattern moves from fate, kismet, to the East and thence to Spain and Molly's Spanishy eyes.
Yellow knees. Charmed my eye ... Singing. Waiting she sang. I turned her music. Full voice of perfume of what perfume does your lilactrees. Bosom I saw, both full, throat warbling. < previous page page_49 If you like this book, buy it! next page > < previous page page_50 next page > Page 50 First I saw. She thanked me. Why did she me? Fate. Spanishy eyes. Under a peartree alone patio this hour in old Madrid one side in shadow Dolores shedolores. At me. Luring. Ah, alluring. 1628) Here the parallels between the words of "M'appari" ("Each graceful look ...